This curved soprano saxophone is 100 years old. It was hand-crafted in Elkhart, Indiana — the "Band Instrument Capital of the World" — at a factory called C.G. Conn, Ltd.
M142059 — this number, stamped right on the body, tells us exactly when and where it was made: 1924, Elkhart, Indiana.
Conn also helped invent the sousaphone — the giant coiled horn you see in marching bands — with famous bandleader John Philip Sousa!
The serial number M142059 stamped on the body — our time-stamp from 1924
The hand-engraved bell — every swirl was carved by a human artist in 1924
See those shimmering circles on the keys? Those are mother-of-pearl touches — the same material found in fancy jewelry. Only professional musicians bought instruments with this upgrade.
The G# key has a smooth cup, not a ridged "nail-file" surface. Conn switched to the ridged design after serial number 145,400 in 1925. This horn — at 142,059 — was made just 3,341 instruments before that change!
The mother-of-pearl key touches — a 100-year-old Artist Grade upgrade
Charles Gerard Conn opens his factory in Elkhart, Indiana — after a bar fight left his lip cut and he couldn't play his cornet!
Serial M142059 rolls off the Elkhart production line as a top-of-the-line "Artist Grade" curved soprano.
"Your Mother's Son-in-Law" — a star is born. This saxophone was already 9 years old.
Our musician joins the New York jazz scene, becoming a sought-after session saxophonist for major labels.
September 30, 1949 — Decca Studios, NYC. Pat Nizza, Billie Holiday, and Louis Armstrong all in the same room. This saxophone was there.
On September 30, 1949, something extraordinary happened at Decca Studios in New York City. Two of the greatest jazz musicians in history — Billie Holiday and Louis Armstrong — recorded together for the only time in their lives.
Known as "Lady Day," Billie Holiday (1915–1959) was one of the most emotional, expressive singers in jazz history. Songs like Strange Fruit and God Bless the Child made her a legend.
"Satchmo" Louis Armstrong (1901–1971) was so important to jazz that some people call him the person who invented the modern music solo. His trumpet playing and gravelly singing changed music forever.
Billie Holiday and Louis Armstrong — from the Louis Armstrong House Museum
Billie Holiday, 1949 — the same year as the historic Decca session
| Clue | Where We Found It | Status |
|---|---|---|
| Horn is a real 1924 Conn 4M Series I | Serial number chart + physical inspection | ✓ Confirmed |
| Pat Nizza played on the Sept. 30, 1949 Decca session | Jazz Discography Project, Wikipedia, billieholidaysongs.com | ✓ Confirmed |
| That session is the ONLY time Holiday & Armstrong recorded together | Louis Armstrong House Museum | ✓ Confirmed |
| Nizza played SOPRANO sax at that session (not just tenor) | Enciclopedia del Jazz (Italy) — lists him as (st-sb) = tenor + soprano | ✓ Confirmed |
| Soprano is audible on a specific track | Need to analyze original recordings / NYPL score archive | ⏳ Being Investigated |
Most English discographies just say "tenor sax." But the Italian jazz encyclopedia used a special code: (st-sb) — "st" = tenor, "sb" = soprano. Pat Nizza doubled BOTH instruments at that session. A soprano saxophone was physically present in the studio that day.
The three songs recorded at that September 30, 1949 session are available online right now. Listen closely to the saxophone section — you might be hearing the very horn in this family's collection!
Billie Holiday & Louis Armstrong duet — Decca Records, 1949
▶ Listen on YouTubeBillie Holiday & Louis Armstrong duet — the funnier of the two duets!
▶ Listen on YouTubeThis is the soprano saxophone of Pat Nizza — a professional musician who was confirmed by multiple jazz history databases to have played soprano saxophone in the studio on the day Billie Holiday and Louis Armstrong made their only recording together.
The family's story checks out. The serial number, the Italian discography, the history — it all lines up. This horn was in that room.